Friday, December 8, 2017

Texture and Light


The last week or so has been somewhat of a conundrum for me, the bigger shoots I planed didn’t produce the results I was looking for, but I did find a couple of shots with my phone that gave me some food for thought.

Here are some beach treasures that I brought home from my last trip to Galveston. Sitting at my kitchen table, I found myself arranging the pieces until I found a nice balance.

Someone asked me the other day about how I decided on when to make a photo black & white, I answered that the photo usually lets me know.  Images with high contrast usually like it when you take away the color. The fun part of playing with black and white images for me is the discovery of available textures. The drift wood, coral and shell are just teeming with crevices and curves. I love the variances in light and contrasts between the smooth wood and the sharp edges of the shell.
 



The past few months have found me focusing on my use of light and paying attention to how my subject is shadowed.  I went to a local artist, Sue Bown, and received some drawing tips that I hope to keep practicing in order to improve my photos.  She is amazing and I look forward to spending some more time with her.

It has been interesting to practice the concept of thinking in terms of only what you can draw (the dark or shadow on white paper) not intentionally trying to draw everything as a finished product. This really messed with my brain, but I think the process and change in focus really improved how I see things.  By drawing the shades of dark the image will take care of itself.

The same concept works with photography.  Focusing on the shell, it is given its shape by looking at the dark lines, the shadow coming from underneath defines the curve and gives it depth.  You can tell where the light was for this photo…coming from the left and overhead (the window to the left and the ceiling fan light above) It makes for a really minimal shadow but you still have a guide to define the elements of the photo and it also distinctly separate the items from each other. 

This cell phone study, if you will, gives me a guide for how I want to set up my studio lights to really make all of elements pop in my images.

The next shot, again taken with my cell phone, is of some items I keep on my desk.  They remind me to look at the light. They help me to recognize the way the shadows define the perspective of the shapes and give the items depth and definition.
 
 



Again, black and white is the perfect medium for this type of shot.  I focused on the base piece with triangle shapes. By bumping up the brightness and the contrast, I was able to pull the grain out of the wood and give some rough texture and contrast to the triangle and squares while leaving the circles smooth and softened on focus.  I like how the effect came out.

I think this has really given me some food for thought and over the next few weeks I want to explore more black and white images with my studio lighting…I’ll let you know how it turns out.